Belgin Yucelen

Belgin Yucelen creates sculptures, installations, movies and prints exploring memory, the past and today’s ethics intending to enhance our imaginations and consciousness. She studied sculpture at the Florence Accademia D'Arte in Florence, University of Colorado Boulder, Art Students League of Denver and Scottsdale Art School. Her work is represented at national and international galleries. She continuously participates in national and international exhibitions at museums, universities and other art venues. In her recent work she discusses the concept of time and the transitions in individuals and societies through time. Her past work attempted to understand transitions in individuals and societies. “Journey of a Thousand Years” which included bronze sculptures with etched mirrors was an analysis of how the self is shaped by experiences over time. “Time” series inlaid with gold, embracing the Japanese concept of treating breakage as part of the past of an object suggested the frailty of each moment. “Clothes from the Past” installation of sculptural garments redefined a past culture’s sophistication in a contemporary form. “Overwritten Scripts” included prints elaborating on how the manipulation of the religious scripture influenced social and cultural norms. “Words” installation, which included an audio element, was aimed to encourage people to listen to each other more. In “Floating Children”, a collaboration with photojournalist Brian Rutter, the installation featuring floating transparent fabric with photographs of Syrian children was her way of speaking to the fragility of children in times of war.

August 9, 2021 Meeting – Shall we let the art speak for itself?

We resumed our meetings this week after 2 months during which we traveled to places we weren’t able to go during the no-travel restrictions. We talked about how describing our art helps build a connection with the viewer and the artist but at the same time might interfere with how the viewer connects with the

August 9, 2021 Meeting – Shall we let the art speak for itself? Read More »

Bloom

We are happy to present our third online exhibition titled “Bloom“! “Bloom” features new exploratory artworks by the Yellow House artists. The artworks created using a variety of media such as oils, acrylic, gold, encaustic and watercolor allude to the idle summer days of youth. We hope that these artworks will bring joy and inspire hope so we can embrace the uncertainties of

Bloom Read More »

Alice in Wonderland

December 14, 2020 Meeting – Kings, and Fools, Rituals and Routines, and Art’s Transformative Experience

Our last meeting of the year was very intimate and cozy and small (only Sam, Carly and myself).. We talked about kings and fools and shared some personal stories. We also shared some of our ideas on our new theme: “A Sense of Place”: An architectural site, a building, a street or anything that we

December 14, 2020 Meeting – Kings, and Fools, Rituals and Routines, and Art’s Transformative Experience Read More »

Grayson Perry

November 30, 2020 Meeting – A British Artist We Admire

During this meeting, we talked about our favorite British artists for educational purposes for Elizabeth who moving to London! I talked about one of her favorite British artists Cornelia Parker (B. 1956, U.K.) and how she intends to change the meaning of everyday objects with her “Thirty Pieces of Silver” installation (1988-89).  When the work

November 30, 2020 Meeting – A British Artist We Admire Read More »

Ana Mendieta - La tierra habla (The Earth Speaks)

September 28, 2020 Meeting – What is Stunning or Shocking Art for us?

At this Salon for Creatives meeting, while we absorbed the late September sun — soon to fade away into the night — we shared artworks that we found “stunning”. I talked about Ana Mendieta who is a Cuban-born and American-raised artist. She described her work as “earth-body” art: “Yo trabajo con la tierra, con la

September 28, 2020 Meeting – What is Stunning or Shocking Art for us? Read More »